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Stefano
Miceli
has quickly established a reputation as one of the leading talent of his
generation, travelling worldwide as brillant pianist and conductor.
Miceli's laudable work has brought him into contact many orchestras,
including Salzburg
Orchestra of Mozarteum, Leipzig Philharmonic Orchestra, Orchestra of La
Scala Theatre, La Fenice Orchestra of Venice, European Symphony
Orchestra, Beijing Symphony Orchestra, Orchestra of London, Orchestra of Cluje, Slovak Philharmonic,
Dallas Virtuosi Chamber Orchestra, Las Cruces Symphony Orchestra, Orchestra Sinfonica Italiana, Orquesta Sinfonica de
la Juventud
Venezuelana El Sistema, Israel Symphony Orchestra, Orchestra Filarmonica Italiana, “Pomeriggi Musicali”
Milan Symphony, Scarlatti Orchestra of Naples, Sanremo Symphony
Orchestra and
Trento, Marche, Moldova, Pordenone philharmonics.
Miceli is regular guest artist as pianist and conductor at important festivals
and theatres in New York (Carnegie Hall ), Leipzig ( Gewandhaus ),
Boston (Tsai Performance Theatre ), Melbourne ( Great Hall of NGV, BMW Theatre, Federation
Hall ) , Venice ( La Fenice Opera House ), New Orleans ( Le Petit
Theatre ), Beijing (Forbidden City Concert Hall), Maracaibo ( Teatro Belles Artes and
Urdaneda Theatre ) , Milan Theatres, Washington Dc ( B. Rohme Theatre ) ,
Rome Theatre, Bergamo ( Donizetti Theatre ) , Naples ( scarlatti Hall )
, Palermo Theatre, Jesi (Pergolesi Theatre) , Genoa (Palazzo Ducale) ,
Teatro dell'Opera di Sanremo, Padoa
(Sala Dei Giganti), Las Vegas, Oklahoma City, Madrid, Lugano, Cervo
International Festival, Tivoli Festival and at the Ravello
Festival. He has been the principal guest artist of the Cameristi della
fenice ( Venice Opera Theatre ) , having performed many concerts with
them in Italy and abroad, including the Australian debut of this
orchestra.
Stefano Miceli
made his New York outstanding debut as soloist and conductor at
Carnegie Hall in november 2010.
Stefano Miceli is one of
five Italian Academy Foundation, Inc. artists, selected to perform
regularly during the 64 year old Foundation’s Carnegie Hall and Lincoln
Center programmes.
In 2009 Stefano
became Principal Guest Artist and Conductor of Leipzig
Philharmonic Orchestra in Germany and Conductor-in-Residence of the Orchestra
Filarmonica Italiana.
His passion for Ferenc Liszt and South American and Russian repertoires
has enabled him to work in principal festivals as well as for
chamber music ensembles, playing with the Salzburg
Chamber Soloists, Boston Ariel Quartet, Milan Ensemble, Madleyn Reneé,
OFI Soloists, Donato Renzetti, Gabor Boldoczki, Alexandre Hintchev, Catherine Spaak,
Joshua Stowall.
In addition to his
performing career Miceli dedicates part of his time teaching as visiting professor at
the Boston University, University of New Mexico,
Steinway Society Academy in Verona, Rovereto's R. Zandonai School of
Music in Italy and Prato's Verdi School of Music.
Artistic Director at
the Bergamo Festival
Internazionale della Cultura,
Stefano Miceli gives importance to contemporary music, playing piano and
symphonic masterpieces by most rappresentative italian composers, such
as Bussotti, Berio, Bianchini, Pagotto, Pierami, Baggiani, Maggio ( some
compositions dedicated to him ).
Stefano Miceli studied piano at “San
Pietro a Majella” University of Music in Naples, where he graduated cum
laude and earned a doctorate under the direction of Vincenzo Vitale's
School. He studied also composition and conducting and opera conducting
with Donato Renzetti in Pescara Italy where he earned a doctorate.
Following his academic training, he expanded his musical knowledge at
the
Scuola di Musica di Fiesole in Florence and at the Catholic University
in Washington Dc.
Stefano Miceli lives in Bergamo, Italy, where he has named artist of
honor at the “ Donizetti Theatre Grand
Galà”.
In 2008 Stefano
Miceli received a Silver Medal from the Italian President Giorgio
Napolitano in Rome.
“… Sensitive,
courageous and brilliant musical intelligence…” The Tymes Picayune
“… The Virtuoso pianist Stefano Miceli: elegant touch and impeccable
brilliance!” The Globe
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